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about bio photo gallery portfolio collage travel photography u.s.a. photography altar (short film) projects + public programming performance public speaking press partner with shani menu about bio photo gallery portfolio collage travel photography u.s.a. photography altar (short film) projects + public programming performance public speaking press partner with shani home latest news manifesta european biennial of contemporary art by shani jamila june 6, 2018 uncategorized 0 after a truly wonderful springtime sabbatical in spain and morocco ( check out all the pictures from shani’s month with unsettled ), shani will debut several new collages in the manifesta european biennial of contemporary art in palermo, italy! the work will be accompanied by a talk she’ll deliver about her artistic practice and a soundscape she collaborated on with the talented musician brett sroka . https://shanijamila.com/wp-content/uploads/2018/06/manifesta.mp4 “ manifesta is the european nomadic biennial , held in a different host city every two years. it is a major international art event, attracting visitors from all over the world. manifesta is the go-to place for discovering emerging artists, thought-provoking ideas, new artworks especially commissioned for the event, and creative experiences in dialogue with spectacular locations of each host city. it was founded in amsterdam in the early 1990s as a european biennial of contemporary art striving to enhance artistic and cultural exchanges after the end of cold war. in the next decade, manifesta will focus on evolving from an art exhibition into an interdisciplinary platform for social change, introducing holistic urban research and legacy-oriented programming as the core of its model. manifesta is still run by its original founder, dutch historian hedwig fijen, and managed by a permanent team of international specialists. each new edition is started up and fundraised individually. currently, manifesta is working from its offices in amsterdam and palermo, with an upcoming office in marseille for manifesta 13 opening in the french city in 2020.” shani’s work is part of resignifications , an exhibition and conference that rewrites the narrative of black portraiture in european art. details about the opening at the zisa zona arti contemporanee (zac) are on the flyer below. continue reading → harvard university art exhibition by shani jamila february 26, 2018 uncategorized 0 shani will be debuting several new works on paper in this exhibition, opening tonight at harvard university. if you are in the cambridge area, please come to the ethelbert cooper gallery for a reception beginning at 6pm. “ the cooper gallery spring 2018 exhibition features an interpretive version of the remarkable installation, resignifications, by our guest curator, awam ampka. resignifications was originally presented in 2015 at new york university’s villa la pietra in florence, italy as part of “black portraiture[s] ii: imaging the black body and re-staging histories.” resignifications links classical and popular representations of african bodies in european art, culture and history as it interprets and interrogates the “blackamoor” trope in western culture that emerged at the intersection of cross-cultural encounters shaped by centuries of migration, exchange, conquest, servitude, and exile. the installation includes contemporary artists who respond to the artists and designers of yore, and infuse inert objects of art with voice and presence across the ages.” collages by shani jamila continue reading → aperture foundation by shani jamila february 7, 2018 art 0 tonight shani will be at the aperture foundation to moderate narratives from the inside– a conversation about art and justice . this program will mark the opening of their prison nation exhibition (covered in yesterday’s new york times). for those of you who aren’t in nyc, this event will be livestreamed. join us! details are below. narratives from inside wednesday, february 7 7:00 pm – 8:30 pm aperture gallery and bookstore 547 west 27th street new york, ny free panelists: nigel poor, virginia grise, vee bravo, and russell craig “how can storytelling convey the experience of incarceration? be it photographs, podcasts, or fiction workshops, these panelists deploy various modes of narrative strategy to bring stories of incarceration beyond prison walls. join us for the first in a series of public programs that accompany the spring issue of aperture magazine and the related exhibition, prison nation, photographers, writers, historians, and activists discuss the unique role photography, art, and storytelling play in understanding and creating a dialogue around the crisis of mass incarceration in the united states. following this panel, there will be a short reception to celebrate the opening of this exhibition.” click here to see the full list of prison nation programming. continue reading → run mary run by shani jamila february 1, 2018 uncategorized 0 tonight, shani will be at the university of virginia to moderate a post performance conversation with rashida bumbray & the dance diaspora collective, presented by dancing while black. “join us for a free performance of run mary run by rashida bumbray & dance diaspora collective. this performance serves as the kick off event for “august in perspective,” a series of arts events scheduled throughout the month of february fostering creative responses to the events of august 11th and 12th through theater, music, and dance workshops with guest artists, uva students and faculty, community organizations, and local area high schools. rashida bumbray has been performing the ring shout – a spiritual dance developed during slavery – for about a decade. for the newest installment of this work, run mary run, she considers the harmonic ideas and tonal vocabulary of the mcintosh county shouters – master ring shout artists – as a point of departure. creating an active ritual for the ceremony of the ring shout, the performers go on a ride through the cosmologies of the low country, geechie sea islands, tennessee blues, p funk, and hip hop – relating the shout to the history of black music. run mary run is developed in collaboration with a large ensemble, the dance diaspora collective and special guest master dancer, adenike sharpley, professor, oberlin college. costumes by gingie mcleod, dindi designs. “motion and music and memory entwined” – the new york times best concerts of 2012 “it was an enduring blood memory…we were in the waters of william henry johnson’s i baptize thee.” – 2014: the year according to latasha n. nevada diggs, walker arts center nominated for a 2014 bessie: outstanding emerging choreographer 2014 recipient: harlem stage fund for new work the performance will be followed by a talkback session and panel moderated by shani jamila, with paloma mcgregor, director of angela’s pulse and founder of dancing while black, rashida bumbray, adenike sharpley, and local artists, students, and faculty. about the artists: rashida bumbray’s choreography draws from traditional african american vernacular and folk forms including ring shouts, hoofing, and blues improvisation in order to interrogate society and initiate healing. bumbray was nominated for the prestigious bessie award in 2014 for “outstanding emerging choreographer.” her performance run mary run in collaboration with jason moran and dance diaspora collective was named among best concerts of 2012 by the new york times’ ben ratliff. bumbray recieved the 2014 harlem stage fund for new work. her work has been presented by columbia university, caribbean cultural center, dancing while black, harlem stage, the metropolitan museum of art, the new museum, project row houses, summerstage, tate modern and weeksville heritage center. bumbray received her ma in africana studies from new york university and her ba in african american studies and theater & dance from oberlin college where she studied

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